ProverseOne day of filming. Months of ammunition
Campaigns need real creative: your premises, your product, your people. A media day produces enough of it in one visit to feed the system for months, without stock photography anywhere near your brand.
★★★★★Rated by 40+ businesses worldwide · £10M+ generated for our partners
Trusted by 40+ businesses, including
What your ads are currently running on
Photography of models in hard hats who have never been on a site in their lives. Buyers can smell it instantly.
Replaced with your actual premisesThe year the brochure photos were taken. The kit, the branding and half the staff have changed since.
Replaced with current, true materialThe same two images running for months, quietly driving your cost per enquiry up.
Replaced with a deep creative bankShot around the campaigns, not the other way round
The shot list is written from the campaign plan before anyone picks up a camera. Every angle, clip and photo exists because a specific ad, page or sequence needs it.
- A full day on your premises, planned around production
- Ad creative in every format the channels need
- Retargeting clips cut for people who nearly enquired
- Trust assets for the sales process: walkarounds, capability films
- Photography for the site, the quotes and the case studies
- Everything delivered edited, organised and owned by you
The objections, and what we actually do
“Nobody here wants to be on camera.”
Most directors would rather be anywhere else, and the last time someone pointed a camera at them it felt staged.
Your premises and your work carry it.
Your premises, your team at work and the finished job do most of the talking. People appear where they’re comfortable and a voiceover covers the rest. Nobody performs.
“We paid for a video once. It cost a fortune and did nothing.”
It was a brand film with drone shots and piano music, made to be admired, with no job to do once it was finished.
Every clip gets a job.
One day produces a bank of short assets built for ads and follow-up emails, each made for a specific place in the system. It feeds the campaigns for months.
“Can’t we just film it on our phones?”
Phones film well these days, so paying for a crew can feel like vanity.
The hero shots get done properly once.
The creative that represents the firm in every ad gets a professional crew. The quick topical clips afterwards can come off a phone, and we show your team how to shoot them.
“Stock photos have always done the job.”
Nobody complained, so nobody noticed buyers scrolling past models in hard hats who’ve never set foot on a site.
Your premises and your people.
Buyers spot stock photography in a second, and it quietly tells them you’re like everyone else. Footage of your own kit and your own team is the one thing a competitor can’t copy.
How it works
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01
Shot list from the campaign plan
Every asset the ads, pages and sequences need, written down before the day.
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02
The day itself
A small crew on your premises. Product, process, premises, people who want to appear.
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03
The edit
Cut into working formats: ads, clips, stills, trust films.
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04
Into the system
Loaded into the campaigns and sequences, tested, and rotated before fatigue sets in.
The work behind £10M+ of client revenue
£2M closed dealsCase study The full system behind £2M of closed deals
Industrial robotics on a sales cycle measured in months. After two years on our full system: 1,500+ leads, 22,000 new customers in the CRM, and £2M in closed deals tracked back to the source.
Lead cost £60 → £15
Case study How Everflow cut its lead cost from £60 to £15
A utilities company renting every lead from brokers. Front-end ads on Meta and Google, a back end on Salesforce Marketing Cloud, +120% volume, and 100 leads a month for 18 months straight.
+60% enquiries in 90 daysCase study Capturing the search demand Flexipol didn’t know it had
A food packaging manufacturer invisible to the buyers searching for its products every day. We set up Google Ads and built a new website: traffic up 100%, enquiries up 60% in three months.
The senior operators on your build
A small senior team, not a pyramid. You will know everyone on this list by name within a fortnight.
Account manager
Runs the audit, sets the scope, stays on the account.
Systems lead
Builds the CRM, the routing and the chase sequences.
Media buyer
Runs Google and Meta to one number: cost per qualified enquiry.
Copywriter
Researches and writes the ads and the outreach, one company at a time.
Graphic designer
Designs the ads, the landing pages and every piece of creative.
The questions you’re actually asking
Is the media day part of the standard build?
No. It’s a separate piece of work, quoted on its own, and it comes as part of The works package. We only recommend it when the audit shows your existing material can’t carry the campaigns. If you already have usable footage and photos, we use them.
Who owns the footage?
You do, all of it, including the raw files. It’s your premises and your product, and it sits in your accounts like everything else we build.
How disruptive is the day?
A small crew, planned around your operations. Production doesn’t stop, and for most of the day your team won’t notice filming’s happening.